Art and stasis are the perfect oxymoron. Experience and research on the form have to makeover unrestlessly. If this were not the case, the penalty would be the boredom of those who do it and those who enjoy it.
The flow series lives of the perceptual alteration proper of fluids and the melting of a solid form. The stones are plastically trapped in a flow that drags them downwards (or upwards).
On behalf of metal is rendered the fluidity of the casting, whose plastic and organic forms set against the sharp and geometric cuts of the stones set in.